Why Aditya Dhar’s Production House Was Just Permanently Blacklisted

Why Aditya Dhar’s Production House Was Just Permanently Blacklisted

4 min readMumbaiUpdated: Feb 17, 2026 08:30 AM IST

The production house of director Aditya Dhar, B62 Studios, has been blacklisted Monday from seeking permission to shoot in Mumbai the film Dhurandhar: The Revenge, the sequel to the 2025 blockbuster Dhurandhar, after the Brihanmumbai Municipal Corporation officials flagged “repeated violations” of safety terms and conditions on the film set.

Deputy Municipal Commissioner (DMC) Zone I cleared permissions sought by the civic body to permanently blacklist B62 Studios and two of its other applicants from submitting applications for filming permissions with the Maharashtra Film, Stage and Cultural Development Corporation Limited.

“Having received the clearances, the three applicants – Komal Pokhriyal, Nasir Khan and B62 production house – can no longer apply for shoot permissions with the Maharashtra Film, Stage and Cultural Development CL website. On Tuesday, we will also be issuing notices to this three applicants informing of the action, and a copy of the notice will also be shared with the Maharashtra film cell and BMC’s Business Cell head,” a BMC official told The Indian Express.

In a letter to the Deputy Municipal Commissioner (DMC) of Zone 1, the civic body on Monday also sought a penalty of Rs 1 lakh for filming on a building terrace and for using two generator vans without adequate permissions.

It has also called for forfeiture of the Rs 25,000 deposit submitted by the applicant. The actions follow frequent violations of norms on the film sets in A ward, where authorities first flagged violations on February 7 and 8. Hours after the ward office sought permissions, the BMC’s DMC of Zone 1 granted permissions on Monday for action over the violations.

According to the civic body, the Maharashtra Film, Stage and Cultural Development Corporation Limited received an application from the production house seeking permission to shoot portions of the movie between February 7 and 8. On January 30, the authority granted permission for shooting between A ward’s Modi Street and the Perin Nariman Street.

Officials claimed that the film set “completely violated” the police department’s terms and conditions, which prohibited the use of crackers and flammable materials.

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The authorities forfeited the deposits following the incident and issued warnings of blacklisting.

Thereafter, officials said the Maharashtra Film, Stage and Cultural Development Corporation Limited received yet another application from one Komal Pokhriyal for filming between February 13 and February 14.
Citing previous violations, the authorities cancelled the application, prompting the applicant to file a fresh application on the Maharashtra Film Corporation website seeking permission to shoot between 12.30 am and 4 am on February 14.

Use of flammable materials

According to BMC officials, the applicant assured that no flammable materials would be used during the shooting, following which permissions were granted. Records show that the applicant was issued permissions subject to NOC from the Mumbai Heritage Conservation Committee to erect temporary tents in the heritage Fort area.

A senior BMC official said that on February 14, despite the assurance, the Mumbai police received complaints of the use of flammable materials like lit torches around 12.45 am during the course of the shooting.

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“After receiving the complaint again after 15 minutes, the officials from Mumbai police arrived on the site and the five torches (Mashals) lit during the shoot were seized by the police. It was also ensured that no flammable object was used during the course of the shoot till 4 am,” said the BMC official.

In light of the second incident, applicants assured authorities that all visuals of flammable objects would be shot in VFX.

The A ward’s letter to the DMC, accessed by The Indian Express, sought final nod to forfeit the deposit amount of Rs 25,000, register the torches seized on location during the filming of the reference at the checkpoint at Mint Road, impose a fine of Rs 1 lakh for filming on the terrace of the building at the relevant filming location and for using two generator vans without permission during filming and for committing serious violations that could endanger the safety of residents.

It also sought to permanently blacklist the applicants, Komal Pokhriyal and Nasir Khan, and the production house for filming permission work with the Maharashtra Film, Stage and Cultural Development Corporation Limited website. Aditya Dhar, co-founder of B62 production studio, could not be reached for a comment.

Nayonika Bose

Nayonika Bose is a Senior Correspondent with The Indian Express’ Mumbai bureau. While in the early stages of her career, her focused reporting on local governance and community welfare already demonstrates clear Expertise and Trustworthiness in covering essential civic issues impacting Mumbai’s residents.
Expertise & Authority (E-E-A-T)


Specialized Focus: Nayonika’s reporting is dedicated to civic and community issues, providing readers with highly relevant, ground-level information about the functionality and administration of India’s largest metropolitan area.


Core Coverage Areas: Her articles highlight a strong focus on the fundamental quality of life and public safety in Mumbai, including:



Civic Infrastructure: Reports on critical failures and initiatives related to public works, such as the recurring problem of unauthorized building collapses in Navi Mumbai, the construction of new infrastructure projects (like the Dahisar-Bhayandar Link Road and the Mahalaxmi cable-stayed bridge), and the maintenance of essential city services (e.g., manhole cover theft).


Urban Governance & Crisis Management: Provides detailed coverage of the Brihanmumbai Municipal Corporation’s (BMC) response to major crises, particularly during the monsoon (e.g., heavy rainfall, water cuts, and public health concerns like dengue and malaria) and large-scale public safety incidents (e.g., the hoarding collapse fallout).


Community Welfare & Rights: Reports on key social issues, including the financial aid scheme for persons with disabilities, the struggles of Mumbai’s hawkers protesting eviction drives, and the dangers faced by workers due to the continuation of manual scavenging in water tanks.


Cultural & Heritage Reporting: Covers significant community stories, including the restoration of British-era fountains and the history of institutions like the 126-year-old Chinchpokli cemetery, showing a breadth of interest beyond pure administration.




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